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In The Interstices

It was the wanting that stunned me, 

time that broke me apart, 

learning life in the space time gave, 

amid what I asked for 

and what arrived. 

The silence that carried stars, 

the echo arriving in memory, 

the planet of my undoing. 

 

To my peace it was a fascinating 

concept, as though reflected in 

streaming windowpanes, the look 

of others through their own eyes, 

a bottle‑imp against an

unapproachable surface, never

able to pierce into timeless

energy—there but never 

there, like laundry, like sawdust in 

the sunlight, or armloads of wheat 

and flowers. 

 

I check into the enclosure of time 

familiarizing dreams, the rounded 

edges, the lost slants, 

celebrating with less conviction 

the less you—the cosmic force of 

living hopelessly backward into 

a past stripped of you, of hearing you 

speak—here on this dock of transit— 

the stricture of this lighthouse, 

shining out toward the stars, 

like fire, like diamonds,

like lightning—

they constellate this ache.

 


 

Gregory O’Neill, from Seattle, writes reflective, conversational poetry about the canny, uncanny, the obscure within the mundane, the emotional physics of absence. His poetry and prose have appeared in publications that include; The Laurel Review, The Mantis Literary Journal, The Opiate Magazine, Jackdaw Review, Cathexis Northwest Press, San Antonio Review, Route 7 Review, Relief Quarterly, Wordrunner eChapbooks, Four Tulips, New Feathers Anthology, Litbop, Eunoia Review, Paraselene, Words Faire, Zoetic Press, Last Leaves, Gabby & Min’s, and numerous others.